10.
Immergence before emergence!
Presented by
Raphaël Liogier
Raphaël Liogier (born 1967) is a French sociologist and philosopher with a PhD in Humanities from the University of Paul Cézanne (Aix-Marseille). He also holds degrees in public law, political science, and philosophy, as well as a Master of Science by Research (MSc) in philosophy from the University of Edinburgh. Liogier is a professor at the Institute of Political Studies in Aix-en-Provence and at the UM6P in Morroco, and researcher at the University of Paris Nanterre. From 2006 to 2014, he ran the Observatoire du Religieux, Europe's first social sciences research center focused on the rise of Salafism and the use of Islam as a justification for violent behavior among Western youth. He created and is still running The Chair of Transitions at UM6P (Morocco).
Liogier is a board member of the scientific journal Social Compass and a member of the International Commission for Peace Research at UNESCO. He has been invited as a visiting professor at various universities worldwide, including in North America, Europe, India, and Australia. His research primarily revolves around the intersection of belief, modern mythologies, and the impact of technoscience on human beings. He has published more than 100 scholarly articles and 16 books, including La guerre des civilisations n'aura pas lieu (2017) and Sans Emploi. Condition de l'homme postindustriel (2017), which focus on violence, cultural identity, and the effects of artificial intelligence and the internet on the human condition. He more recentily developped an analysis on transcendance and modernity (Khaos. La promesse trahie de la modernité, 2023 and Success. L'instrialisation du mensonge, 2026), and a more epistemological and metaphysical reflection on the notion of complexity and the nature of emergent states.
Liogier is a regular media contributor, appearing on French national TV and radio, and his works have been published in leading international outlets such as Le Monde and The New York Times.
Online: @projet.y
When: January 31st Friday.
Abstract
Many contemporary discourses technoscientific, managerial or transhumanist present themselves as the embodiment of triumphant rationalism and impeccable scientificity, yet they secretly rely on a powerful modern superstition: the belief that complexity possesses an intrinsic, almost magical property. According to this view, elements that remain inert, purely quantitative, mechanical and devoid of any intrinsic quality when considered in isolation (atoms, raw data, algorithms, artificial neurons…) suddenly and miraculously acquire, solely through massive accumulation and exponential interconnection, a new dynamism, life, consciousness or unpredictable creativity as though quantity, once it surpasses a certain critical threshold, could automatically transmute into quality, like if it was an automatic effect produced by the sheer increase in complexity.
Against this prevailing modern fiction, Raphaël Liogier's concept of imergence proposes a radical reversal of perspective: true emergence cannot arise from the brute growth of quantitative complexity alone; it can only spring from a prior inward movement, an imergence that can be defined as a fundamental tension rooted in the void, tension that could be expressed through mass on an atomic scale or desire on an organique scale. This tension of the void alone is capable of conferring genuine creative depth and meaning to complex phenomena.
Primordial Chaos, (1906-1907).
Hilma af Klint (Swedish, 1862-1944)
Klint's abstract work captures the essential tension between chaos and order, inner void and creative emergence—visual themes that resonate deeply with Liogier's concept of immergence as the foundational movement preceding all genuine emergence.